![]() Isonics company professional#Looking at the iSonic website, I see all kinds of trays, baskets, and adapters in the professional section that you can insert into their cleaners so you can clean whatever you choose, and their personal section contains all manner of smaller ultrasonic cleaners and off-shoots. It’s easy to see that this product is a general-purpose ultrasonic cleaner that’s designed to be modified by the end user depending on its particular application. The P4875 was clearly not designed from the ground up as a record-cleaning machine. Rather, its industrial vibe comes across due to its simplicity and clarity of focus. On the contrary, it’s quite tidy and well thought out. Not so much because it’s overly heavy or roughly designed. The iSonic is obviously an industrial product. The P4875(II) and MRV10 come packaged as a kit that retails for $799 (all prices USD). The LP part isn’t the core of their business.Īlong with the machine itself, iSonic sells their MVR10 accessory, consisting of a motor and attendant parts, which facilitates the ultrasonic cleaning of up to ten LPs at one time. No sir, iSonic is a manufacturer that makes ultrasonic cleaning machines first and foremost. A while back I received an iSonic P4875(II) ultrasonic record-cleaning machine from Motet Distribution here in Canada, and the big news is that iSonic isn’t some fussy audiophile company. Isonics company manual#Water and electronics don’t mix, and I’ve observed that, if diverging from a fully manual method like the Spin-Clean, it may be best to choose a tool that’s built with durability in mind.Īnd that’s where iSonic comes in. Simple is better when it comes to cleaning records, I believe. I purchased a Spin-Clean for my own use a bunch of years ago as these are just fantastic, but when I got the VPI, I gave the Spin-Clean to another neighbor, Rob, and he’s thrilled with it. He now uses a Spin-Clean manual record bath. Ron owns a Keith Monks machine that’s out of service due to the unavailability of replacement parts. My neighbor Ron and I are going to disassemble this thing to see if we can fix it. That machine recently failed when the magic smoke escaped from its circuitry. Rich purchased an all-in-one ultrasonic machine that cleans, drains, and dries a single record in one step. I have three other acquaintances who regularly wash records. My system works reasonably well and that’s good enough for me. I’m well aware that my system isn’t the last word in archival-quality disinfection, but I’m totally cool with that also. The VPI really is overkill for my needs, given that it’s a near-industrial-quality machine, but I’m totally cool with overkill. It takes me about a minute per side, and since most of my records have already been cleaned, I don’t have to do it that often. I do one wet wash with my cleaning solution then follow that up with a splash of distilled water to flush off the alcohol. I use a VPI Cyclone vacuum-powered machine, and mix my own fluid from distilled water, isopropyl alcohol, and Kodak Photo-Flo 200 surfactant. I’ve arrived at a healthy place in my record-cleaning life. The processes range from the most intricate, such as the Kirmuss system, which involves intense pre-scrubbing followed by a spin in an ultrasonic cleaning machine, on through to the tried-and-true vacuum-powered wet wash and all the way down to a simple spray-on, wipe-off hail-Mary swipe with a velvet brush.īottom line-if you own a turntable and a bunch of records, you undoubtedly have some kind of record-cleaning regimen, and there’s a very good chance you’re looking to improve your game. I’m sure you’re aware there’s a healthy cottage industry that supplies cleaning machines, brushes, and solutions to those audiophiles who really, truly want to do everything in their power to keep their records clean. Down in the far left corner, there’d be an audiophile in a filthy trench, trying to shield a six-eye pressing of Kind of Blue from a sprite that’s raining down a mixture of liquid tar, toenail clippings, and metal filings. This paradox would make a perfect detail in a Hieronymus Bosch depiction of a circle of hell. We can clearly hear dirt and contaminants that we can’t even see. And the irony of it is we’re subject to-at the mercy of-the smallest, invisible particles of dirt lodged into record grooves. We fuss and obsess over the tiniest variations in cartridge alignment, hundredths of a gram in tracking force, single degrees of VTA. The lovers of LPs-I hesitate to call us record collectors-are the most tightly wound subcategory of audiophiles. ![]()
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